Bella White with Jack Schneider at SPACE

ABOUT THE ARTIST

A truly original new voice in songwriting, Bella White creates an undeniable magic by mining the rare duality at the heart of her artistry. Although she hails from the Canadian city of Calgary, the 22-year-old singer/multi-instrumentalist grew up on the classic country and old-time music she first discovered thanks to her father, a Virginia native who played in bluegrass bands all throughout her childhood. On her debut album Just Like Leaving, White balances her old-soul musicality with a lyrical perspective that’s entirely of-the-moment, embracing an intense self-awareness as she documents her coming-of-age in real-time. “I’m still quite young, but I was very young when I wrote this album,” says the Victoria, BC-based artist. “All of these songs came from processing my feelings right as I was experiencing certain things for the first time in my life.”

Produced by Patrick M’Gonigle of The Lonely Heartstring Band and mixed by Grammy Award-winning engineer Dave Sinko, Just Like Leaving bears a powerful authenticity that prompted Rolling Stone to praise White’s songwriting as “sublime Appalachian heartbreak.” In sculpting the album’s sparse but lushly detailed sound, White worked with a lineup of musicians she encountered through years of making the rounds at roots-music festivals, including Reed Stutz (mandolin, vocals), Julian Pinelli (fiddle, vocals), and Robert Alan Mackie (bass). “I met everyone by jamming together, which felt perfect for this album—I really wanted it to sound like friends making music,” says White, who plays guitar on Just Like Leaving. “The whole process felt very collective and collaborative, and everyone’s creative choices ended up shining through.”

Recorded at Gilford Sound Studios in Vermont, Just Like Leaving takes its title from an exquisitely heavy-hearted song White penned soon after escaping her hometown for Boston at 18 (a cross-continent move inspired by her urge to join in the roots-music scene surrounding Berklee College of Music). Building a potent tension in its subtle storytelling, “Just Like Leaving” reveals White’s lyrical ingenuity in her stark yet poetic confession (e.g., “Now I’ve chased your love ’cause I thought it might feel woolen/Like a dram on a damn cold winter’s night”). “There was a point in my life when it felt like anytime I needed to do something to further my career, it involved leaving a situation or a place,” says White. “That song became my anthem for leaving—a way to express being scared and overwhelmed, but knowing that I needed to move on.”

For the opener to Just Like Leaving, White selected a pensive song called “Gutted,” a piece she refers to as the prequel to the title track. “That song’s about feeling like there’s always somewhere you’d rather be, and trying to come to terms with that,” she notes. One of the album’s most bluegrass-influenced moments, “Gutted” captures that sense of emotional displacement in White’s wistful vocal work and painfully candid lyrics (“At night I take to walking down lonely end roads/With the hopes someone might catch me, God knows I won’t”).

In a departure from the urgent introspection of “Gutted,” much of Just Like Leaving finds White unraveling the intricacies of a broken heart. On “Not to Blame,” for instance, she pays homage to sharp-tongued country stars like Wanda Jackson and lends her anger a certain audacious quality (“I may as well have been a winding road/You walked on me just the same/Like a little girl with wide eyes and curls, I didn’t know it was just a game”). Written in the haze of profound heartache, “The Hand of Your Raising” channels the regret and self-questioning that so often accompanies romantic catastrophe (“Now I feel red like the carpet on my bedroom floor/Full of loaded words and nothing I ain’t heard from you before”). And on “Broke (When I Realized),” White looks back on her parents’ divorce, achieving a particularly devastating beauty in the song’s sorrowful harmonies and gently rendered reminiscence of her childhood grief (“The weight of the many tears she shed nearly woke me from my bad dream/And I broke when I realized I was yet to fall asleep”). “Recording ‘Broke (When I Realized)’ was really cathartic for my inner child—it was such a relief to go in and express that sort of helplessness,” says White. “I love how it came out, and how it’s trying to be nothing but a sad country song.”